With their unstoppable DIY brute force they have carved new paths in the global underground of alternative noise rock, across which their fans follow loyally. Though claiming San Francisco as their hometown, OXBOW performed first in London, England in 1990 and have toured Europe and the U.S and almost every other place people will pay them to hear them play extensively for nearly 3 decades. The OXBOW core membership - DAN ADAMS/bass, GREG DAVIS/drums, EUGENE ROBINSON/voice, and NIKO WENNER/guitars+keyboards - has been supplemented by the subtle stylings of LYDIA LUNCH, KLAUS FLOURIDE, JARBOE, MARIANNE FAITHFULL, RICHARD KERN (SONIC YOUTH et al), JON RASKIN from the ROVA SAX QUARTET, and a string section that would make Barry White wince.
Followed by KING OF THE JEWS (1991), THE BALLS IN THE GREAT MEAT GRINDER COLLECTION (1991), LET ME BE A WOMAN (1995), SERENADE IN RED (1996), AN EVIL HEAT (2002) LOVE THAT’S LAST (CD+DVD) (2006), THE NARCOTIC STORY (2007) as well as various singles and dance remixes, OXBOW has met with increasing critical acclaim and popular support.’
‘The quiet kill off the country road, the time before the time when everything went wrong and the last 16 hours of that great love affair are the seminal beginnings of OXBOW.ĭesigned to be the last aural will and testament of failed humanity, OXBOW actually garnered listeners from among the ranks of the fucked, with their 1989 release FUCKFEST. ***AND HERE IS THEIR BRAND NEW VIDEO FOR TRACK ‘COLD & WELL-LIT PLACE’ FROM FORTHCOMING ALBUM ‘THIN BLACK DUKE’ OUT MAY 5TH***
#OXBOW LET ME BE A WOMAN RAR SKIN#
‘A primal jam, fuelled by pure carnal libido, so get together with some inclined bodies and slap skin together.’ – PITCHFORK Once again, heading for us like a freight train – the almighty avant-rock giants Oxbow.
0 kommentar(er)
